Friday, 5 December 2025

Book ~ "Halfbreed" (2019) Maria Campbell

From Goodreads ~ An unflinchingly honest memoir of her experience as a Métis woman in Canada, Maria Campbell's "Halfbreed" depicts the realities that she endured and, above all, overcame. 

Maria was born in Northern Saskatchewan, her father the grandson of a Scottish businessman and Métis woman - a niece of Gabriel Dumont whose family fought alongside Riel and Dumont in the 1885 Rebellion; her mother the daughter of a Cree woman and French-American man. 

This extraordinary account, originally published in 1973, bravely explores the poverty, oppression, alcoholism, addiction, and tragedy Maria endured throughout her childhood and into her early adult life, underscored by living in the margins of a country pervaded by hatred, discrimination, and mistrust. Laced with spare moments of love and joy, this is a memoir of family ties and finding an identity in a heritage that is neither wholly Indigenous or Anglo; of strength and resilience; of indominatable spirit.

This edition of "Halfbreed" includes a new introduction written by Indigenous (Métis) scholar Dr. Kim Anderson detailing the extraordinary work that Maria has been doing since its original publication 46 years ago, and an afterword by the author looking at what has changed, and also what has not, for Indigenous people in Canada today. Restored are the recently discovered missing pages from the original text of this groundbreaking and significant work.


Halfbreed is Maria Campbell’s memoir about growing up Métis in Saskatchewan. She talks about her childhood in a loving but struggling family, the racism she faced and the kind of poverty that shaped almost every part of her life. As she gets older, things get even tougher ... she deals with heartbreak, addiction and people taking advantage of her. But it isn’t just about hardship. It’s also about strength, family, culture and finding her voice. Campbell shows how she learned to stand up for herself and her community, eventually becoming an activist. 

I've never heard of the author and I don't know how it landed on my to-be-read list but I'm glad it did. It was interesting but sad and disturbing to read all she, her family and the rest of her people had (and still continue) to endure. I liked the writing style and found it to be honest and eye-opening. As a head's up, there is swearing, violence, drug use and adult activity.

Thursday, 4 December 2025

Bernat Roving Scarf

I finished knitting a Roving Scarf to donate. 

I used a Caron Anniversary Cake Special Edition (the colour is Jewels and Jolly) and 6.5mm needles. I like how the colour changes worked, resulting in big chunks of colour rather than shorter bursts.


It's an easy free Bernat pattern from Yarnspirations and I found it  here.


  • Cast on 26 sts. 
  • 1st row: (RS). *K2. P2. Rep from * to last 2 sts. K2. 
  • 2nd row: *P2. K2. Rep from * to last 2 sts. P2. 
  • 3rd row: Knit. 
  • 4th row: Purl. 
  • These 4 rows form pat. 
  • Cont in pat until Scarf measures 60 ins [152.5 cm], ending with a 2nd row. 
  • Cast off knitwise.

Wednesday, 3 December 2025

Christmas at the Eaton Centre, Toronto, ON

After I saw We Will Rock You, I went to the Eaton Centre to check out the decorations and tree. Very Christmasy!


The tree changes colours. On the hour, for about three minutes there is a Holiday Light & Snow Show. The lights are choreographed to festive music with an indoor snowfall at the end.

"We Will Rock You", CAA Ed Mirvish Theatre, Toronto, ON


I saw We Will Rock You at the CAA Ed Mirvish Theatre this afternoon.


Celebrating rock ’n’ roll to the rhythm of 25 Queen songs, including the classic “Somebody to Love, ” “Another One Bites the Dust,” “We Are the Champions,” “Under Pressure,” “Don’t Stop Me Now” and, of course, the timeless classic “Bohemian Rhapsody,” the formidable cast brings to life a range of atmospheres depicting the two rival clans – the ruthless leaders of the Corporation and the indomitable rebels – plunging the audience into futuristic and organic worlds with spectacular projections and breathtaking costumes. 

Created by Queen and Ben Elton, WE WILL ROCK YOU is set in the near future on a planet controlled by a powerful corporation. Globalization is complete. Individuality is taboo. All music is now computer-generated, rock music has been eradicated, and musical instruments are banned. The sole hope for liberation rests on an unlikely resistance: an alliance of Bohemian rebels, waiting for a hero to lead them in the battle to bring “rock power” to the people.

It was so good! Fabulous voices and the audience got right into the Queen songs. The references to non-Queen songs got laughs.

The glow sticks were fun and
we were encouraged to wave them often

Monday, 1 December 2025

Big Way Hot Pot, Toronto, ON

Trish, Yvette and I had supper this evening at Big Way Hot Pot on Bloor Street W (just east of Bathurst Street). Yvette suggested it and I will admit I was hesitant because I’m not a fan of soup and I’m kind of fussy. It turned out to be a fun tasty experience! 

Me, Trish and Yvette

Sunday, 30 November 2025

Be a Santa for a Senior Holiday Gift Drive, Toronto, ON

When I'm watching TV, I like to keep my hands busy so I knit small quick projects.

This is the fifth year I've knitted for the Be a Santa for a Senior Holiday Gift Drive program, run by Gwen (she's in my 'hood). It's an annual holiday gift drive for recipients of the southwest Toronto Meals on Wheels program. Most of these men and women are over 55 and live alone. 

My annual knitting this year include 60 hats, 33 pairs of mittens and 3 scarves which Gwen picked up this afternoon.

Saturday, 29 November 2025

Cavalcade of Lights, Toronto, ON

I volunteered tonight with the City of Toronto for the opening of Cavalcade of Lights at City Hall, which goes until January 7. I was a performance assistant to the strolling stilt walkers, which was fun. 

I got there a bit early (my shift was from 6pm to 10pm) and walked around a bit.

Friday, 28 November 2025

Book ~ "The Hitwoman and the 7 Cops" (2014) J.B. Lynn

From Goodreads ~All reluctant hitwoman Maggie Lee really wants is to have a calm, normal life.

She doesn’t want to go around killing people for money.

She doesn’t want her sister to be terrified of her ex-pimp.

She doesn’t want her Dad to disappear from the Witness Protection program.

But Maggie rarely gets what she wants.

Instead, she finds herself trying to keep everyone out of trouble.

With the help of her ragtag team of supporters: her semi-psychic friend, a handsome, charming con man, her almost-lover cop/hitman mentor, her curious Southern Belle cat, her haughty lizard, and her sweet, but dumb Doberman, Maggie does her best to stay a step ahead of Law Enforcement, while helping those she loves.

​But will Maggie end up being the one who needs to be saved?

When Maggie was in a car accident, her sister and brother-in-law were killed and Katie, her niece and goddaughter, was left in a coma, which she has come out of but is still in the hospital. Maggie works in the call centre of an insurance company and doesn't have the kind of money it takes to keep Katie in the high end hospital she needs to be in. To supplement her income, she has become a reluctant hit woman for a mob boss. 

Maggie has a lot of police officers hanging around her. They looking for her dad, who has vanished from witness protection and they assume she knows something, which she doesn't. Because the police are everywhere, Maggie can’t take on any hitwoman jobs. Meanwhile Marlene, her sister, is dealing with her own dangerous mess as her former pimp says she owes him money. Her Aunt Loretta is about to lose her store because her ex-husband is claiming he owns the building so they must find the deed to prove it's hers.

This is the seventh in the Confessions of a Slightly Neurotic Hitwoman series (#52 is coming out next month). It's written in first person perspective in Maggie's voice. I had my doubts about this series when I discovered Maggie can now carry on conversations with Godzilla aka God, Katie's tiny lizard, who Maggie takes care of until Katie recovers, DeeDee, a dog she took in when she killed her owner, and Miss Piss, the cat. It sounds dumb but they are amusing and good friends and confidents to Maggie.

I wouldn't recommend it as a stand alone and you should read the first ones first as there are many references in this one that will make more sense if you have the background. I had read the first four in the spring and really enjoyed them. This is the third one I've read in the last couple of weeks and I'm not digging them all that much. This was the worst of the three. 

The writing style has never been amazing but the stories were okay. The editing (or lack of) in this book was atrocious. In the beginning, there were references to Teresa, Maggie's sister and Katie's mother who had been killed in a car accident. Given that it's book seven, you'd think the author would know it's "Theresa" not "Teresa" ... later in the book it's correct as "Theresa". Very sloppy. Another example is when Maggie spent the day with God and at one point he almost got stepped on. Just a few minutes later Maggie goes to her basement apartment and God's freaking out because he's been cooped up all day and missing the action. Huh?!

I had intended to keep reading the series but I'm going to take a break ... and I don't know if I'll ever come back.

"A Very Old Man With Enormous Wings", The Theatre Centre, Toronto, ON

I volunteered at A Very Old Man With Enormous Wings tonight at The Theatre Centre (Queen Street W/Dovercourt Road). It was playing last night and tonight. It was imaginative and entertaining. The last performance is tomorrow evening.


Gabriel García Márquez’s darkly comic tale, brought to the stage for children and adults to share.

In a kitchen, in a theatre, two storytellers and their audience find something remarkable — a very old man with enormous wings. The wise neighbour woman tells us he’s an angel. The priest says he’s an imposter. Pilgrims flock to see him, hoping to be healed by him, hoping for a gawp. They leave with something different than what they expected.

Adapted from Gabriel García Márquez’s ‘Un señor muy viejo con unas alas enormes,’ Collapsing Horse brings this classic piece of magical realism to the stage in search of its beautiful, strange, emotional richness.